The haunting beauty of a perfectly crafted violin resonates not only in the notes played, but also in the subtle, ethereal harmonies known as Tartini tones. These “third sounds,” first described by the 18th-century composer Giuseppe Tartini, add a unique depth and richness to the music of antique violins, particularly those originating from the legendary workshops of Cremona, Italy. This poem, by Joseph S. Salemi, delves into the magic of these tones, linking them to the craftsmanship of the past and lamenting the loss of the resources that made them possible.
Contents
The Mystery of the Unmarked Violin
Salemi begins with the presentation of an unmarked violin, possibly a Stradivarius. The poem immediately establishes a sense of awe and mystery, highlighting the “sheer magnificence” and “bell-like vibrancy” of the instrument. Even without a maker’s mark, the violin’s quality speaks for itself, echoing the “grand style” of the Cremonese masters.
The Angelic Whispers of Terzo Suono
The poem then introduces the terzo suono, describing it as “fine lace” intertwining the played notes. This evocative image captures the delicate and intricate nature of Tartini tones. The listener is transported to a realm of “angelic whispers,” hinting at the divine beauty of these resonant harmonies. Salemi masterfully connects the physical experience of sound with a deeply spiritual and emotional response.
The Lost Forests and the Terzo Suono
The poem shifts its focus to the origins of these unique tones, attributing them to the “seasoned wood of deep Italian forests.” These ancient trees, untouched for centuries, possessed a density and quality lost to modern instrument makers. Salemi laments the destruction of these forests, recognizing that this loss is irreversible, much like the destruction of other cultural treasures.
The Craftsman’s Legacy
Despite the unknown provenance of the violin, the poem celebrates the skill of the nameless craftsman who “wrought voiceless wood to sing against the grain.” This powerful image highlights the transformative power of artistic creation, turning raw materials into instruments of profound beauty. Whether or not the violin is a Stradivarius, it embodies the same spirit of excellence and dedication that defined the Cremonese masters.
The Enduring Magic of Tartini Tones
Salemi concludes by emphasizing the enduring magic of Tartini tones, regardless of the maker’s identity. The poem reminds us that the true value of art lies not in its attribution but in its ability to “cast a spell” and connect us to something deeper than ourselves. The terzo suono, a testament to both the artistry of the past and the resonant beauty of nature, continues to enchant and inspire listeners today. The poem serves as a powerful meditation on the fleeting nature of beauty and the importance of preserving our artistic and natural heritage.
Further Exploration of Tartini Tones
For those interested in delving deeper into the science and history of Tartini tones, further research can be found on the phenomenon of combination tones and the specific characteristics of Cremonese violins. Exploring the life and work of Giuseppe Tartini can also provide valuable context for understanding the significance of these unique acoustic properties. This poem offers a beautiful starting point for a journey into the fascinating world of music and acoustics.