The truncated quatrain, a unique poetic form invented by Fr. Bruce Wren, offers a compelling blend of brevity and thematic focus, echoing the spirit of the Japanese haiku. This form, characterized by its concise structure and rhythmic pattern, allows for a potent exploration of diverse themes, as evident in Wren’s collection of truncated quatrains. This article delves into the structure of the truncated quatrain and examines several examples from Wren’s work, highlighting the effectiveness of this compact form.
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The Structure of the Truncated Quatrain
Wren defines the truncated quatrain as a four-line poem adhering to a specific iambic rhythm and rhyme scheme. The first two lines are tetrameter, followed by a pentameter line split into two, creating the effect of a fourth, shorter line. The caesura, or pause, occurs after the fifth syllable of this final pentameter line. The rhyme scheme is AABA, lending a musicality to the poem’s concise structure. This structure, while seemingly simple, allows for a surprising depth of expression, as demonstrated in Wren’s own poetry.
Examples of Wren’s Truncated Quatrains
Several of Wren’s truncated quatrains showcase the versatility of this form, capturing moments of rebellion, reflection, and spiritual questioning.
Rebellion
This quatrain encapsulates a moment of defiance, using the image of beetles breaking rank to symbolize a rejection of conformity. The short, clipped final line, “One, and two, and… GO!”, emphasizes the suddenness and energy of the rebellious act.
Once seven beetles in a row
Decided to no longer tow
The line. Then one said:
“One, and two, and… GO!”On the Sea
This poem paints a vivid image of a moon rising over the sea as a ship sails westward towards the night. The imagery of wreckage suggests a journey fraught with peril or perhaps a metaphorical representation of life’s challenges.
An orient moon ascends in might
Astride the fading crimson light
While westward sails my
Wreckage toward the night.Τι ζητειτε οι; or What are You Searching For? (John 1:38)
This poem, inspired by a biblical question, explores the universal human search for meaning and purpose. The speaker considers various possibilities, ultimately settling on love as the ultimate object of their search.
Good question! Wait. I’m thinking of
Fair fortune’s crown, or life above,
Or ten more years, or…
Wait! I think it’s love.As the Years Go By
This quatrain reflects on the passage of time and the weight of aging. The imagery of a pyre built upon bones evokes a sense of mortality and the inevitable accumulation of years.
My life grows loud with sighs and moans
As on my ligaments and bones
A pyre arises
Of years as old as stones.Blessed are the meek
This poem contrasts two approaches to life: one of insatiable hunger and the other of humble acceptance. The question posed reflects a spiritual struggle between worldly desires and a path of meekness.
Am I to be a famished beast
To devour the world as if a feast
Laid at my feet, or
Humbly eat the least?On my 53rd Birthday
These two poems, written for Wren’s 53rd birthday, offer contrasting reflections on the passage of time. The first adopts a more lighthearted tone, while the second delves into a deeper contemplation of mortality.
1.
So now, you say, they’re fifty-three
These years that have rolled over me?
Well, mix some whiskey
In my evening tea.2.
Like waves, I have felt fifty-three
Cool years pile up on top of me:
I, Titanic,
Miles beneath the sea.Conclusion
Fr. Bruce Wren’s invention of the truncated quatrain provides poets with a concise yet expressive form for exploring a wide range of themes. His own poems, utilizing this form, demonstrate its versatility and potential for conveying both simple observations and profound reflections. The truncated quatrain, with its unique structure and rhythmic pattern, stands as a testament to the enduring power of brevity in poetry.