Navigating the profound sorrow that accompanies loss is one of life’s most challenging experiences. During this time, finding the right words to express feelings, honor a life, and offer comfort can feel impossible. This is where poetry often shines, providing a language for grief, remembrance, and hope when our own voices falter. Selecting appropriate poetry for a funeral offers a way to articulate complex emotions, celebrate a loved one’s journey, and provide a moment of shared reflection and solace for mourners.
Contents
- Classic and Contemporary Poems for Reflection
- Remember
- Funeral Blues
- ‘Do not stand at my grave and weep’
- Those Winter Sundays
- Music
- Epitaph On A Friend
- Yes
- No Time
- Crossing the Bar
- Holy Sonnets: Death, be not proud
- Holy Sonnets: Death, be not proud
- ‘That it will never come again’
- Requiem
- The Enduring Power of Poetry in Grief
Poetry allows us to tap into universal human experiences of love, parting, and memory through carefully chosen words, rhythm, and imagery. Whether seeking a reading that speaks to acceptance, reflects on a life well-lived, or simply acknowledges the depth of sorrow, there are countless poems that can resonate powerfully in a funeral setting.
Classic and Contemporary Poems for Reflection
The following selection includes powerful poems that have often been chosen for funeral services or memorial gatherings. They explore various facets of grief, memory, and the transition of life, offering perspectives that can bring comfort and understanding.
Remember
By Christina Rossetti
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Rossetti’s poignant sonnet grapples with the speaker’s wish to be remembered after death, while paradoxically granting permission for the loved one to find happiness and forget if necessary. It’s a beautiful exploration of selfless love enduring beyond life. For those seeking best funeral poems, ‘Remember’ offers a tender, slightly melancholic, yet ultimately comforting message.
Close up image of lit candles in a dimly lit room, often used for remembrance ceremonies or funerals.
Funeral Blues
By W. H. Auden
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message ‘He is Dead’.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.
The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
Famous partly from its use in the film Four Weddings and a Funeral, ‘Funeral Blues’ is a raw and powerful expression of overwhelming grief. It uses hyperbole to convey the speaker’s feeling that the entire world should stop in mourning for the loss of a uniquely important person. This poem resonates deeply with those experiencing profound, world-shattering sorrow. If you’re looking for the specific poem from four weddings and a funeral movie, this is the one.
‘Do not stand at my grave and weep’
By Mary Elizabeth Frye
Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
This beloved poem offers a comforting perspective on death, suggesting that the departed spirit lives on in the natural world rather than being confined to a grave. It’s a hopeful message that can provide solace and encourage mourners to feel the presence of their loved one in the beauty of nature. This is often considered a best funeral poem for its uplifting and non-denominational message.
Those Winter Sundays
By Robert Hayden
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
Hayden’s poem is a poignant reflection on the often-unseen sacrifices made by parents, particularly fathers. It’s a poem of regret and dawning understanding, perfect for acknowledging a parent’s quiet acts of love and the complexity of family relationships, offering a moment of shared recognition at a funeral service.
Music
By Percy Bysshe Shelley
Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead,
Are heaped for the belovèd’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
Shelley’s short, lyrical poem compares enduring memories and love to the lingering sensations of music, scent, and touch. It suggests that the essence of a person, like love and thoughts, continues to exist even after they are gone, offering a comforting thought about the permanence of connection.
Epitaph On A Friend
By Robert Burns
An honest man here lies at rest,
The friend of man, the friend of truth,
The friend of age, and guide of youth:
Few hearts like his, with virtue warm’d,
Few heads with knowledge so inform’d;
If there’s another world, he lives in bliss;
If there is none, he made the best of this.
Robert Burns’ epitaph is a straightforward and heartfelt tribute to a virtuous friend. It praises qualities like honesty, kindness, and wisdom. This poem is a suitable choice for remembering a friend, celebrating their character, and acknowledging the positive impact they had on others’ lives. Finding the best funeral poems for a friend often involves seeking out such direct and sincere tributes.
Yes
By Tess Gallagher
Now we are like that flat cone of sand
in the garden of the Silver Pavilion in Kyoto
designed to appear only in moonlight.
Do you want me to mourn?
Do you want me to wear black?
Or like moonlight on whitest sand
to use your dark, to gleam, to shimmer?
I gleam. I mourn.
Tess Gallagher’s poem, written after the death of her husband, Raymond Carver, uses a striking image from Japanese culture to explore the nature of grief and remembrance. It questions traditional mourning rituals, suggesting that profound grief can also manifest as a shimmering reflection, using the darkness of loss to find a new kind of light. It’s a contemporary take on processing sorrow.
No Time
By Billy Collins
In a rush this weekday morning,
I tap the horn as I speed past the cemetery
where my parents are buried
side by side beneath a slab of smooth granite.
Then, all day, I think of him rising up
to give me that look
of knowing disapproval
while my mother calmly tells him to lie back down.
Billy Collins often brings humor and relatable, everyday moments into his poetry. ‘No Time’ captures the busy-ness of modern life colliding with moments of sudden remembrance and a touch of wry, affectionate humor about deceased parents. It acknowledges grief in a more understated, less formal way, which might resonate for some families.
Crossing the Bar
By Alfred, Lord Tennyson
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For tho’ from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crost the bar.
Tennyson’s allegorical poem uses the metaphor of a ship crossing a sandbar out into the open sea to represent the soul’s journey from life into death. The speaker hopes for a peaceful transition, without fear or sadness, and expresses a desire to meet the ‘Pilot’ (often interpreted as God or a guiding force) at the end of the journey. It’s a comforting poem about accepting death as a return home.
Holy Sonnets: Death, be not proud
By John Donne
Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think’st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul’s delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well
And better than thy stroke; why swell’st thou then?
One short sleep past, we wake eternally
And death shall be no more; Death, thou shalt die.
Donne’s famous sonnet confronts Death directly, stripping it of its power by arguing that it is merely a transition, akin to sleep. The poem asserts that death is not an end, but a doorway to eternal life, ultimately stating that Death itself will die. This poem offers a powerful, defiant, and faith-filled perspective on mortality.
Holy Sonnets: Death, be not proud
By Audre Lorde
I
Is the total black, being spoken
From the earth’s inside.
There are many kinds of open.
How a diamond comes into a knot of flame
How a sound comes into a word, coloured
By who pays what for speaking.
Some words are open
Like a diamond on glass windows
Singing out within the crash of passing sun
Then there are words like stapled wagers
In a perforated book—buy and sign and tear apart—
And come whatever wills all chances
The stub remains
An ill-pulled tooth with a ragged edge.
Some words live in my throat
Breeding like adders. Others know sun
Seeking like gypsies over my tongue
To explode through my lips
Like young sparrows bursting from shell.
Some words
Bedevil me.
Love is a word another kind of open—
As a diamond comes into a knot of flame
I am black because I come from the earth’s inside
Take my word for jewel in your open light.
Audre Lorde’s poem shares a title with Donne’s but explores a different kind of depth, rooted in identity, language, and experience. While not a direct meditation on physical death in the same way as Donne’s, its themes of speaking truth from deep within (“the earth’s inside”), the power and difficulty of words, and love as a form of “openness” can resonate when reflecting on the complexity and unique voice of a person being mourned. It speaks to the lasting impact of a life lived fully and authentically.
‘That it will never come again’
By Emily Dickinson
That it will never come again
Is what makes life so sweet.
Believing what we don’t believe
Does not exhilarate.
That if it be, it be at best
An ablative estate —
This instigates an appetite
Precisely opposite.
Dickinson’s concise poem touches on the preciousness of fleeting moments. The knowledge that something will “never come again” makes it sweet and valuable. While not explicitly about death, it speaks to the unique value of a life lived, appreciating its singular and irreplaceable nature, which is a core aspect of remembrance.
Requiem
By Robert Louis Stevenson
Under the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you ‘grave for me:
Here he lies where he long’d to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.
Stevenson’s own epitaph, ‘Requiem’, is a simple yet powerful statement of acceptance and peace. It expresses a life lived fully and a willingness to meet death, framing it as a return home. The famous lines about the sailor and hunter finding rest are particularly resonant, offering a sense of completion and peace.
The Enduring Power of Poetry in Grief
Choosing the right poetry for a funeral is a personal decision, aiming to find words that truly reflect the individual being remembered and offer meaningful comfort to those gathered. Whether selecting a classic piece or a more contemporary verse, poetry provides a space for collective mourning, reflection, and the celebration of a life’s impact.
Poetry collections specifically curated for these difficult moments can be invaluable resources, offering a breadth of voices and perspectives on loss, remembrance, and hope. They demonstrate that while grief is universal, the ways we experience and express it are varied and deeply personal. Engaging with these poems allows us to connect with our emotions, find shared understanding with others, and honor the memory of those we have lost.